My typeface “Hong Kong Street Face”, the Chinese name being “香港馬路體” or “港街黑”, has now been released by 3type, a typical and atypical type foundry based in Shanghai, who offer a type-on-demand licensing model. Chinese font development being a very long and complex process, this practice eases the commercial aspects of a foundry, and helps at meking the fonts be used whereever needed.

My first large-scale font family, 946 Latin, a techno-style constructed sans-serif with 75 weights (a variation font soon to follow), is now available on Fontspring.

Life goes on! A one-day workshop on Latin-CJK typeface design is held at the Leipzig Academy of Visual Arts, class of type design (Prof. Stephan Müller) on January 23, 2018. A five-day multilingual lettering workshop is held at the Vilnius Academy of Arts, Klaipeda Faculty, Lithuania, from March 12 to 16, 2018. The workshop is conducted by the CIRRUS Nordic-Baltic Network of Art and Design Education.

Yasemin Fakili and I wrote an article on cultural aspects of multilingual typography for fount magazine issue 2 – connect. You can order a copy at the fount shop.

Under the motto “From Digit to Digital (从「指尖」到「数位」)”, the first ever Type School organized by Shanghai-based foundry 3type (三言) will take place in Shanghai from July 8 to 22, 2017. I am both delighted and proud of being part of the teaching team alongside Susanne Zippel, Georg Seifert, Zheng Chuyang (鄭初陽), Mira Ying (應寧) from Type is Beautiful, and many others.

Hermann Schmidt Verlag, Mainz, recently published the 2017 version of legendary Typodarium, a tear-off calendar with a daily dose of fresh type specimen. You propably wouldn’t want to tear off these beautiful pages, though. This year, Typodarium was opened for Non-Latin entries, which is good news to me. It was an honor to be asked to submit three pages – April 7 (Frust, a new sans serif development), August 28 (Hong Kong Street Face 港街黑), and October 14 (AR Laowai Sung 文鼎老外宋). Better order your copy soon!